Riffonicガイド - 実践的なギター記事
各記事は一つの具体的な問題とその解決法を扱い、該当するRiffonicのトレーナーへのリンク付き。
始め方
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How to Learn Guitar From Scratch: A Step-by-Step Plan for Beginners
The real order of first steps - from posture to your first played song - with nothing skipped and nothing extra.
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Acoustic or Electric Guitar: Which Is Easier for a Beginner to Learn On?
An honest comparison by strings, gear, and sound - with no single right answer, but with clear criteria for choosing.
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How to Hold a Guitar Correctly: Posture and Hand Position
Where to rest the guitar's body, the neck, and both hands - the foundation that decides whether your back and wrist tire out in the first weeks.
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How to Tune a Guitar: Standard Tuning E A D G B E
What the open string names mean, how to turn tuning pegs without risking a snapped string, and why you tune before every session.
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How to Remember Guitar String Names
E A D G B E - an order of notes that's far easier to learn with a mnemonic than by memorizing it as a random set of letters.
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How to Read Guitar Tabs: A Complete Guide for Beginners
Six lines, numbers instead of notes, and which direction to read - everything you need to pick up any tab and start playing right away.
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What Do h, p, /, \, b, x, and ~ Mean in Guitar Tabs?
The symbols layered on top of numbers - hammer-on, pull-off, slide, bend, muting, and vibrato - decoded one at a time, with a notation example each.
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How to Start Playing Electric Guitar from Scratch
How starting on electric differs from acoustic - amp setup, lighter strings, and which scale to start with.
練習と上達
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How to Practice Guitar the Right Way
How much to practice per day, how to structure a session, and why playing daily without a plan stalls your progress.
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How to Play With a Metronome Without Losing the Beat
Common mistakes when using a metronome, and how to actually make it help instead of getting in the way.
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How Long Should You Practice Guitar Every Day to Actually Progress?
A realistic answer instead of 'more is always better' - and why 20 minutes daily beats two hours once a week.
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Why I'm Not Improving at Guitar, and What to Do About It
A checklist of specific causes of a plateau - from the comfort zone to no measurable target - and what to check for each.
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How to Build an Effective Practice Routine for Advanced Guitarists
At an advanced level there are more topics to cover but the same amount of practice time - session structure decides whether you keep growing or just replay what you already have.
コード
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How to Change Chords Faster
Why slow chord changes aren't about finger speed, and how to fix them by training one problem pair with a measurable target.
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Why Your Chords Buzz and How to Fret Them Cleanly
Three fretting errors and one instrument-related cause of buzz, checked one string at a time.
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How to Learn Barre Chords
Why barre chords don't click right away and how to train them step by step without wrecking your hand.
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Which Chords to Learn First
Five open chords that unlock dozens of songs right away, and the order to learn them in.
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10 Chords That Unlock Hundreds of Songs
One set of open chords and where it actually takes you - from your first songs to a real repertoire.
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How to Change Chords Without Stopping the Strum
Why the hand "stumbles" on a chord change and how to train the transition inside a continuous strumming pattern.
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How to Press Guitar Chords So Every String Rings Clean
Fingertips, fret position, and hand arch - the basic mechanics of fretting that every clean chord is built on.
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How to Play Chords Without Looking at the Fretboard
Why watching the neck slows chord changes down, and how to train your fingers to find a shape by feel.
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How to Play the F Chord: From an Easy Version to a Full Barre
Three simplified versions of F for different stages of learning, and the path from them to a full barre chord.
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Why You Can't Play Barre Chords: 10 Common Mistakes
A concrete list of reasons a barre buzzes or exhausts the hand, and how to check each one on its own.
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Power Chords: How to Play Power Chords on Electric Guitar
What a power chord is, why it only has two notes - and how the same shape slides movably up and down the neck.
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Palm Muting: How to Mute Strings with Your Picking Hand
How the palm edge near the bridge shortens notes while preserving pitch and creates a chugging riff tone.
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How to Play Clean With Distortion, Without Extra Noise
Why distortion forgives fewer mistakes than a clean tone, and where most of the extra noise actually comes from.
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How to Mute Unused Strings on Electric Guitar
Both hands working at once - the palm on one side, fingertips on the other - so unwanted strings stay silent.
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How to Play Your First Electric Guitar Riffs
What a riff actually is, and the two building blocks worth starting with - the power chord and the pentatonic scale.
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How to Use a Capo and Understand the Real Chords
What a capo actually changes - and why a chord's 'shape' and its 'sound' become two different things once a capo is on.
リズムとストローク
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How to Learn Guitar Strumming
Which strumming pattern to start with, how to count the hand motion, and why stability matters more than speed at first.
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4/4, 3/4, and 6/8 in Practice
Time signatures by ear and in the hands, not just on paper - how to count each of the three most common ones while playing.
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How to Play Percussive, Muted Strumming
How to get a percussive, 'chucking' strum sound with the palm of the picking hand, and where to place muted hits in a pattern.
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How to Figure Out a Strum Pattern by Ear
Where to start when working out a song's rhythm pattern with no sheet music or tabs - by listening for accents, not guessing.
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10 Simple Strumming Patterns That Fit Hundreds of Songs
A ready-made set of patterns from the simplest to syncopated - written out with down and up arrows.
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How to Pick Single Notes on an Acoustic Guitar
How playing single notes with a pick on acoustic differs from electric, and what to watch for with thicker strings.
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How to Make Strumming Sound Even and Musical, Not Mechanical
Why strumming sounds mechanical even with the right pattern - and what actually makes it feel alive: dynamics, not just rhythm.
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How to Play Complex Polyrhythms and Odd Time Signatures on Guitar
An odd time signature is an uneven grouping of beats inside one bar; a polyrhythm is two different pulses sounding at once. Different things, different practice methods.
ソロとアドリブ
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How to Start Improvising With the Pentatonic Scale
Five notes, one shape, and a backing track - the minimal set that improvisation actually starts from.
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Why My Solos Sound Like Scales
The difference between 'knowing the scale' and 'speaking in phrases' - and three concrete tricks that turn note-running into music.
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How to Target Chord Tones in a Solo
Why the same pentatonic scale sounds different over different chords - and how to aim for the right notes instead of just staying in key.
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How to Connect Pentatonic Positions Across the Neck
Why a solo gets 'stuck' in one spot on the neck, and how to link neighboring pentatonic positions into one map instead of five isolated islands.
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How to Figure Out a Guitar Melody by Ear
Why picking out a melody starts with the key and the pentatonic scale, not guessing random notes one at a time.
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How to Learn Guitar Solos: A Step-by-Step Plan
Where to go, and in what order, from "I know one scale" to "I can play a meaningful solo" - a map of already-written articles turned into one route.
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The Pentatonic Scale for Beginners: How to Actually Use It Musically
Where the pentatonic scale comes from, why its minor and major versions are literally the same notes, and why knowing the scale isn't the same as playing music.
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How to Build Musical Phrases When Soloing
Question-and-answer, motif, and development - three concrete structures a phrase is actually built from, not just "play something nice".
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How to Use Pauses in a Guitar Solo
A pause isn't the absence of playing - it's part of the phrase: how long to hold silence, and when it works versus when it just reads as a stumble.
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Chord Tones: The Secret to a Melodic Solo
Why playing a chord's notes back to back (an arpeggio) sounds more "purposeful" than a scale run, and how to work it into a solo.
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How to Improvise Over a Backing Track
Practicing over a backing track isn't just 'hit play and go' - it's listening to the structure and matching your solo's density to it.
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How to Learn Guitar Solos by Ear
A separate skill from figuring out chords or a melody - transcribing a finished solo whole, techniques included, not just the notes.
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How to Turn Other Guitarists' Licks Into Your Own Improvisation
The difference between copying a phrase and making it your own - three concrete ways to change a ready-made lick.
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How to Improvise Over Chord Changes, Not Just One Scale
Why one scale over the whole progression only works up to a point - and what to do once a chord steps outside the key.
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How to Use Arpeggios in Guitar Solos
From a triad to a seventh chord: the fourth arpeggio note that gives a more sophisticated, "jazzier" or bluesier character.
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How to Build Solos Around Chord Tones
Not landing on one note per chord, but smoothly leading from one chord tone to the next across a whole progression.
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How to Play Outside and Return Inside When Improvising
Deliberately stepping outside the key as a tension device - and why the return matters more than the step itself.
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Chromatic Passing Notes in Guitar Solos
A note outside the scale that simply fills the gap between two neighboring pentatonic notes - the safest way to sound chromatic.
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How to Create Tension and Release in a Guitar Solo
Tension in a solo isn't a separate technique - it's the result of already-familiar devices applied so the listener hears an expectation and its resolution.
ベンドとビブラート
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How to Bend Strings Correctly
Which fingers do the pulling, where the strength for a bend actually comes from, and why it's a wrist motion, not a single finger.
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Why My Bends Sound Out of Tune
How to check a bend's pitch without a tuner in hand, and why vibrato masks the problem instead of fixing it.
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How to Play Beautiful Vibrato
Where the motion for vibrato comes from, what speed and width to start with, and why vibrato is a wrist motion too, not a finger twitch.
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How to Combine Bend and Vibrato
What order to add vibrato to an already-bent note, and why this is trained separately from each technique on its own.
スピードとピッキング
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How to Hold a Guitar Pick Correctly
What angle to hold a pick at, how many fingers should grip it, and why gripping too hard creates tension on its own.
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What Alternate Picking Actually Is
Strict down-up alternation on every note, and why hand synchronization matters more than either hand's raw speed.
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How to Cross Strings Quickly With a Pick
Why a pick gets stuck specifically on string changes, and how to adjust the strike's path so it moves through freely.
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How to Play Fast and Clean
Why speed comes from relaxed, economical motion rather than force, and how to stop 'trying hard' to play faster.
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Downpicking: How to Play Fast Without Tiring Out
Why picking every note with a downstroke is harder than alternate picking, and how to conserve motion so the hand doesn't seize up.
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How to Play Hammer-Ons and Pull-Offs
Legato techniques that sound without a pick strike - where the volume comes from and how to start training them.
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How to Slide Correctly on Guitar
Sliding a finger between notes with an unbroken sound - why even finger pressure matters and where a slide usually leads.
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The Best Exercises for Hand Synchronization
Three concrete drills for matching the pick strike and the fret exactly, and how to find where the hands drift apart.
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The 1-2-3-4 Chromatic Exercise: How to Practice It Right
The classic "spider" warm-up with no scale attached - what it actually trains and what mistakes waste its value.
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Legato: How to Play Hammer-Ons and Pull-Offs Fast and Clean
If the mechanics of a single hammer-on and pull-off already make sense, the next challenge is a chain of them - and it fails for entirely different reasons.
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How to Increase Alternate Picking Speed
A progressive tempo method and the "speed burst" trick - for someone who already has the alternation down but has hit a speed ceiling.
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Economy Picking: What It Is and When It Beats Alternate Picking
A deliberate break from strict alternation exactly at string changes - and why that's a separate technique, not a rule violation.
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Sweep Picking for Beginners: First Drills Without Mud or Extra Noise
One continuous pick 'sweep' across several strings - and why without muting it just sounds like a chord, not a solo.
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Guitar Tapping for Beginners
The picking hand as another hammer-on finger - and why tapping sounds messier than ordinary legato without muting.
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Pinch Harmonics: How to Get a Reliable Artificial Harmonic
The picking-hand thumb kills the fundamental right at the strike, leaving only an overtone. Where the squealing "pinch" in riffs comes from.
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How to Play Fast Riffs Cleanly With a Metronome
Applying the progressive speed method (see the neighboring articles) to a whole riff, not to an isolated scale or drill.
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How to Properly Learn a Difficult Riff: The Small-Fragment Method
Why running through a riff start-to-finish on a loop works worse than breaking it into fragments, and how to piece those fragments back together.
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Hybrid Picking: A Complete Guide and Exercises
The pick handles the bass while the picking-hand fingers grab the top notes - how to play wide intervals without complex string-skip picking.
指板とCAGED
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How to Learn the Notes on the Fretboard
Why you don't need to memorize all 72 notes at once, and which system of landmarks actually makes fast note-finding possible.
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What the CAGED System Actually Is
How the five open chords C, A, G, E, and D turn into a map of the whole neck, and why it's not new theory but a new look at shapes you already know.
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How to Play One Chord in Different Places on the Neck
Why a chord needs more than one version, and how to pick a convenient position instead of relying on a single memorized shape.
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How to Connect Chords and Scales on the Same Part of the Neck
Why a chord and a scale in the same key are the same map of the fretboard, once you know exactly where they overlap.
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How to Stop Looking at the Fretboard While Playing
The same idea as playing chords blind, but for single notes and solos - why you need a physical, not visual, anchor.
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How to Find Any Note on the Fretboard Quickly
Measuring your actual note-finding speed, and three concrete tricks that raise it without more memorizing.
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Guitar Intervals: A Simple Explanation Without the Extra Theory
How chromatic distance and note-letter spelling together define an interval, and why intervals make chords and scales easier to understand.
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Guitar Triads: How They Unlock the Whole Neck
The three notes that make up any major or minor chord, and why it helps to see them separately from the familiar six-string shapes.
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Triad Inversions: How to Play One Chord Across the Whole Neck
What changes, and what doesn't, when a chord's lowest note is the third or the fifth instead of the root.
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How to Find the Key of a Song on Guitar
A practical way to find the key from the chords and from the note where a song feels "resolved", with no ear-training required.
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How to Figure Out Chords From a Song by Ear
A practical step-by-step order - from the bass note to the full progression - with no special musical training required.
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How to Transpose a Song Into a Different Key
What 'shifting a song into a different key' actually means, and how to recalculate the chords without losing the progression.
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How to Connect CAGED, Triads, and the Pentatonic Into One Fretboard System
Three separately covered topics actually describe the same five neck zones from three different angles.
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How to Use Modes on Guitar Without Memorizing Seven Boxes
A mode isn't a new fingering, it's the same major scale with a different sense of "home". One shape, seven possible centers.
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The Dorian Mode: How to Actually Use It in Solos
One note separates the Dorian mode from the natural minor - and it's exactly what gives Dorian its characteristic, less "heavy" sound.
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The Mixolydian Mode: How to Use It Over Dominant Chords
The major scale with one flattened note - exactly the note that's physically present in a dominant seventh chord but missing from a plain major.
フィンガースタイルとアコースティック
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How to Learn Fingerstyle Guitar
Which finger covers which string, which pattern to start with, and why evenness matters more than speed from day one.
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How to Make Your Thumb Independent
Why the thumb drifts along with the other fingers, and how to train it to hold its own separate rhythm.
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How to Play Bass and Melody at the Same Time
Why it's not about doing two things simultaneously, but about training each part separately to automatic before combining them.
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How to Play Travis Picking
What the classic Travis pattern is built from, and why it's impossible without an independent thumb trained ahead of time.
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How to Fingerpick: The First 5 Patterns for Beginners
Five concrete right-hand picking patterns over a held chord - from the simplest to slightly syncopated.
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How to Position Your Picking-Hand Fingers for Fingerstyle
The basic PIMA layout and three common hand-placement mistakes that interfere with clean fingerstyle.
全100課のコース
上の記事はどの順番で読んでも構いません。こちらは同じ内容を順を追って - 第1課から上級テクニックまで。